Segregated Audiences facts
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The Beatles refused to play for segregated audiences in the U.S.
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The Beatles had a specific clause in their contract that stated that they would not ever have to play for a segregated audience.
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The Beatles wrote into their contracts for American concerts that they would not play in front of segregated audiences.
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The Beatles were a strong influence in American civil rights, refusing to play for segregated audiences and even put it in their contract. They refused to play at the Gator Bowl in FL in 1964 until the desegregated the audience.
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The Beatles played their first and only show in Florida on this date in 1964 at the Gator Bowl in Jacksonville. The audience was supposed to have been segregated so The Beatles refused to play until they were assured the crowd would be mixed
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During WWII black American soldiers were forced to sit in segregated audiences with German POWs seated at the front of USO concerts.
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When Preservation Hall was founded in 1961, New Orleans was segregated, and a venue could lose its liquor license for allowing black and white musicians to play together, or allowing integrated audiences. So they offered no food, drinks, or dancing, and thus evaded laws against race-mixing.
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In 1964, the Beatles threatened to cancel their show at the Gator Bowl in Jacksonville, FL due to a municipal ordinance forcing a segregated audience. Once the Civil Right Act passed earlier that year, they played the venue on September 11th, one day after Hurricane Dora passed through.
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The Beatles refused to play for a segregated audience despite the fact that it was part of their contract
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The Beatles once refused to perform at a stadium in Florida when they found out the audience would be segregated
During the racially segregated 1950s and early '60s. James Brown, Ray Charles, Chubby Checker, Etta James, Otis Redding and dozens of others headlined at John Brown's Farm, a stop on the so-called Chitlin' Circuit before white audiences embraced rhythm-and-blues and soul music. - source
The Beatles supported the US civil rights movement by ensuring it was written into their contracts in the US that they "not be required to perform in front of a segregated audience". - source
